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The music draws from all of doom’s subgenres as needs be. “Winter Light” thumps along at a plod until 2:20, when it accelerates from almost funeral doom to Argus-y power doom. “The Greatest Escape/White Shores” also takes its time to get moving, Radigan and riffs synched up in melancholy, and then he goes on the attack while the band locks in and churns through the rest of the song. It would take a powerful set of riffs and songs to keep Radigan from stealing the show, and Magic Circle pull it off. --Invisible Oranges